'KK could have been much more successful than he was, but he preferred to concentrate on quality rather than quantity.'
'Why go to the trouble to build elaborate sets when it could all be done in front of a green screen?'' 'Nitin lost out on a lot of good work; film-makers no longer needed his lavish studio in Karjat as much as they did earlier.'
The Baadshaho trailer has packed in all the masala one expects from an Ajay Devgn film, says Syed Firdaus Ashraf.
One of the great criers of her generation, Kiara's pain pierces through the screen and makes a heartfelt picture of how she feels even when the script cannot see her, observes Sukanya Verma.
Sukanya Verma looks at the colourful portrayal of this festival on the Bollywood screen.
The film's title is preceded by a subtitle which reads 'Goliyon ki raas leela.'
On her 50th birthday on November 1, Sukanya Verma raises a toast to Bollywood's Golden Girl and 15 of her noteworthy performances.
Rajasthan's royal architecture and striking landscapes are a hot favourite among tourists and film-makers. Its majestic beauty and history has coloured many a movies and their visuals to unforgettable effect.
In Barjatya-land, all you need is Prem, Raja Sen says.
The actor recently showed off an endearing facet of his personality.
Ash's comeback film and all that Jazz(baa)!
Salman and Sanjay Bhansali have made up and will work together soon.
'Here are 25 stories special to me for one reason too many,' says Sukanya Verma who scored 25 years writing about the movies last week.
Joginder Tuteja takes a look at the actor's brief movie parts.
The OTT boom has proved a boon for a lot of hibernating '90s beauties as they rediscover themselves in exciting new avatars.
'He had a major blockage in the left main coronary artery and small blockages in various other arteries and sub-arteries. Excessive excitement during the live show caused stoppage of blood flow, leading to cardiac arrest that claimed his life'
Sukanya Verma looks at how one of the seven primal human emotions is usually treated in Hindi movies.
The Aishwarya Rai and Madhuri Dixit dance face-off from the 2002 box-office hit Devdas has been voted the greatest Bollywood dance number of all time.
'There was one sequence in Aur Pyaar Ho Gaya where her character exuberantly runs up to Bobby Deol, piggy-backs on him.' 'Aishwarya told me that she couldn't do the sequence because people would not expect such behaviour from a former Miss World.'
Gentle, fiery, magnanimous or disadvantaged, there are many faces of the Bhansali heroine. Sukanya Verma looks at every single one.
'I gave everything I had to give to Devdas because I knew I would never make a better love story.'
...The story is boring, feels Aarush S.
Salman and his never-ending list of controversies!
Sukanya Verma celebrates chandeliers on celluloid and their most memorable moments in Hindi films.
'I promise you, you've never seen her do anything like this.' 'It is a complete reinvention of Janhvi Kapoor.'
Bachchan versus Bachchan... Dev Patel turns director...
If fate had willed, Alia Bhatt's first movie co-star would have been Aditya Narayan, singer Udit Narayan's talented son.
This Navratri, steer clear of these ways to get closer to a girl.
'Not since the time when my Devdas went to Cannes have I felt this level of enthusiasm for my cinema being honoured internationally.'
'Ranveer Singh is very lively on the sets. You don't feel the pressure when he's there.'
The last rites of the 102-year-old actress, who died on July 10, were performed at the Lodhi Road crematorium by her son Pawan in the presence of her daughter Kiran and grandchildren.
'When you sing, you have to be in the song. You have to feel it or else, don't do the song.' 'That's why I haven't delivered a bad song in my career.'
Ajay has made some brilliantly reviewed films, some big hits and many, many, entertainers.
Sukanya Verma looks at the many ways fire enjoys a significant presence in our movies.
An actor of remarkable presence and gravitas, Vikram Gokhale's dramatic eloquence and cocksure authority sparkled every time he had to call on someone's bluff or leave them too tongue-tied to beat around the bush. Often though, his cold, composed stare was enough to put a dolt in place.
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